Eventually there comes a time when you run out of excuses to not start covering the airframe. Some of the parts have been laying around for a while now so a quick check to make sure all are ok i.e. completed and let’s go.
As I said previously I had been worried about covering the front section of the fuselage as it is curved with struts plus lots of fiddly bits where the wings meet the fuselage. I feel glass cloth and resin is ideal for this albeit hard work. Getting the film covering around all the bits and pieces won’t be easy, but I am sure it could be done by those who are more able that I am!
I am a fan of solartex which is an iron on covering material,
www.solarfilm.co.uk. Solarfilm is one of the original plastic iron-on coverings and solartex is the “fabric” version. It is heavier but I find it very tough, easier to manage and once on it doesn’t move. Solartex comes in prepainted colours and is fuel proof. I tend to use it in a natural or white colour and then paint and fuel proof it with a coat of marine matt varnish. This seems to works well and is certainly durable, my Gladiator is still ok after 7 years.
The techniques for covering can be found everywhere and I can’t add too much if anything. To be honest, I am not a fan of film covering but have to admire the skills of the ARTF’s that come out of China, better than anything I can do. Although with solartex if you take a bit of care it’s difficult to tell that it is an iron-on covering.
So I started with the fuselage and applied glass cloth and resin. This is a topic in itself so I will post this separately for anyone who’s interested to look at. Patience is a virtue here as it took longer to do this bit that the rest of the plane put together but the result is a durable surface that will take a few knocks.
The rear stringered section will be covered in Solartex. I want to get the front edge accurate as I intend to add simulated panels to the front section of the fuselage and this edge of the fabric covering will form part of a panel. So some careful cutting with a VERY sharp knife and off we go. As with any panel, tack the middle and outer edges and work outwards. I tacked to the top of the fuselage longeron and worked my way around and towards the back.
I made life difficult as I wanted to cover in one piece without a join at the top. This I managed by taking it slowly easing the wrinkles out as I went ( Top tip is to always leave one edge free till last to get rid of wrinkles and air bubbles as you go). Other tip is always have a sharp knife to cut clean edges.
It came out ok, but I will need to go back to catch any wrinkles or spots I missed. Next up was the two tail plane halves and the fin. This was followed by the elevators and rudder.
Whilst I doing this I have been messing about with the paint finish. The Gamecock was a silver finish and this is a tricky colour to work with, silver paint has a mind of its own. My Tiger Moth wings have silver prefinished Solartex finished in matt varnish and looks ok.
For some reason I opted not to go down this route, can’t remember why. So I covered some scrap balsa and started messing about. I am using a water based paint from Folkart these are acrylic paints available in all sorts of colours, I really got them for my HMS Victory, which I started prepainting a while back, mixing colours etc, but this has been mothballed for my later years as I estimated it was a 3-5 year build. These paints are great to use, easy to clean but obviously need to be fuel proofed.
I tried some silver and the coverage was not good, oops here we go…. I gave it a couple of coats expecting to have to give it a 3rd but it dried out ok after two coats. Now I don’t want a plane that looks like it came from the factory, I want it to look well used, dirty and tired. The effect we are looking for is called “weathering”. This is where you add the everyday wear and tear effect to the plane.
There is the story of a renowned scale modeler, who had built a replica of a plane and used to visit the museum every year where the plane was kept to see what new scratches and dents there were so that he could incorporate them into his model.
Ok well I’m not going to be that extreme, mainly due to the fact that my skills and touch in this field aren’t too clever, but I’m going to give it a go! I have read lots of articles on this and admire the small 1/72 scale plastic models that have been weathered to look absolutely amazing.
The comments frequently used in these articles are “less is more” and “be subtle”. Anyone who knows me will realize I am going to struggle here!
Lots of techniques available here, washes, dry brushing, smudging to name a few, I will leave all the ins and outs of it all to the experts and just describe what I did. You can judge for yourself if it’s ok or not. Again where would we be today without the web and access to all this information?
As usual my first attempt was too much. I took some pastel chalks and I sandpapered some black dust onto my test piece. Using a dry brush I brushed the dust around a bit which looked ok. I then applied matt varnish. Now varnishing normally reduces the effect, but for some reason it made it look even blacker, very smudgy. Not good. LESS IS MORE!!
The second attempt, I took the chalks (brown and black) and sandpapered specks onto the surface, almost like putting salt and pepper on your food. I dry brushed the dust at random applied a coat of matt varnish, much better, I will post some photos soon. No problem on a scrap piece 1” x 6”. Bit more daunting on a wing panel 12” x 60”.
Next covering job was the wings; I still had some work to do to finish the wings but covered them together with the ailerons. You can see that the top wings are in Solartex White and the bottom wings are in Solartex Natural. The natural is easier to apply; this is probably due to the fact that as it is not prepainted it is lighter and the heat transfer more effective. The top wing is covered using two pieces. The recommendation is four pieces, top and bottom on each wing half; my preference is one piece top and bottom as I hate the centre joint. Again this is tricky to do but worth it in my opinion.
So there we are we can now see the plane starting to look the business, albeit a gaping hole at the front without an engine and cowling
The replica engine and pilot are on their way from William Bros in USA. Once I have these we can proceed to complete the cowling.